PROGRAM RIGHTS (Details) (USD $) In Thousands, unless otherwise specified	Jun. 30, 2014	Dec. 31, 2013
Less: current portion of acquired program rights	$ (132,808)	$ (109,238)
Program rights net noncurrent	260,411	288,344
Program Rights Noncurrent	260,411	288,344
Feature Films [Member]
Feature Film Costs, Released, net of amortization	6,805	6,529
Feature Film Costs, Completed and not released	647	550
Feature Film Costs, In production	169	1,600
Feature Film Costs, Development and pre-production	899	804
Television Programs [Member]
Television Program Costs, Released net of amortization	74,080	76,984
Television Program Costs, Completed and not released	7,956	24,755
Television Program Costs, In production	18,587	17,109
Television Program Costs, Development and pre-production	4,066	2,899
Acquired Program Rights [Member]
Acquired program rights, net of amortization	280,010	266,352
Less: current portion of acquired program rights	(132,808)	(109,238)
Program rights net noncurrent	147,202	157,114
Film And Television [Member]
Program rights net noncurrent	$ 113,209	$ 131,230

Program Rights Net

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- Definition

Program Rights Net Current

+ References

No definition available.

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- Definition

Program Rights Net Noncurrent

+ References

No definition available.

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- Definition

Program rights that will be broadcast beyond twelve months, consisting of programming acquired from third parties and own produced programming. Program rights are recorded at their gross value when the license period begins and the programs are available for use. Program rights are amortized on a systematic basis over their expected useful lives in accordance with a schedule that reflects our estimate of the relative economic value of each run.

+ References

No definition available.

+ Details

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- Definition

The amount of direct negative costs incurred as well as allocations of production overhead and capitalized interest related to the completion of a direct-to-television film not yet released. Examples of direct negative costs include costs of story and scenario; compensation of cast, directors, producers, extras, and miscellaneous staff; costs of set construction and operations, wardrobe, and accessories; costs of sound synchronization; rental facilities on location; and postproduction costs such as music, special effects, and editing.

+ References

Reference 1: http://www.xbrl.org/2003/role/presentationRef

-Publisher FASB

-Name Accounting Standards Codification

-Topic 926

-SubTopic 20

-Section 50

-Paragraph 2

-URI http://asc.fasb.org/extlink&oid=6473108&loc=d3e54431-107959

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The amount of direct negative costs incurred in development of a direct-to-television film, as well as allocations of production overhead and capitalized interest. Examples of direct negative costs include costs of story and scenario; compensation of cast, directors, producers, extras, and miscellaneous staff; costs of set construction and operations, wardrobe, and accessories; costs of sound synchronization; rental facilities on location; and postproduction costs such as music, special effects, and editing.

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The amount of direct negative costs incurred in the production of a direct-to-television film, as well as allocations of production overhead and capitalized interest. Examples of direct negative costs include costs of story and scenario; compensation of cast, directors, producers, extras, and miscellaneous staff; costs of set construction and operations, wardrobe, and accessories; costs of sound synchronization; rental facilities on location; and postproduction costs such as music, special effects, and editing.

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The amount of direct negative costs incurred in the release of a direct-to-television film, as well as allocations of production overhead and capitalized interest. Examples of direct negative costs include costs of story and scenario; compensation of cast, directors, producers, extras, and miscellaneous staff; costs of set construction and operations, wardrobe, and accessories; costs of sound synchronization; rental facilities on location; and postproduction costs such as music, special effects, and editing.

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The amount of direct negative costs incurred as well as allocations of production overhead and capitalized interest related to the completion of a theatrical film not yet released. Examples of direct negative costs include costs of story and scenario; compensation of cast, directors, producers, extras, and miscellaneous staff; costs of set construction and operations, wardrobe, and accessories; costs of sound synchronization; rental facilities on location; and postproduction costs such as music, special effects, and editing.

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The amount of direct negative costs incurred in development of a theatrical film, as well as allocations of production overhead and capitalized interest. Examples of direct negative costs include costs of story and scenario; compensation of cast, directors, producers, extras, and miscellaneous staff; costs of set construction and operations, wardrobe, and accessories; costs of sound synchronization; rental facilities on location; and postproduction costs such as music, special effects, and editing.

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The amount of direct negative costs incurred in the production of a theatrical film, as well as allocations of production overhead and capitalized interest. Examples of direct negative costs include costs of story and scenario; compensation of cast, directors, producers, extras, and miscellaneous staff; costs of set construction and operations, wardrobe, and accessories; costs of sound synchronization; rental facilities on location; and postproduction costs such as music, special effects, and editing.

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The amount of direct negative costs incurred in the release of a theatrical film, as well as allocations of production overhead and capitalized interest. Examples of direct negative costs include costs of story and scenario; compensation of cast, directors, producers, extras, and miscellaneous staff; costs of set construction and operations, wardrobe, and accessories; costs of sound synchronization; rental facilities on location; and postproduction costs such as music, special effects, and editing.

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