UNITED STATES SECURITIES AND EXCHANGE COMMISSION
Washington, D.C. 20549
Form
ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 |
For the fiscal year ended
OR
TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 (NO FEE REQUIRED) |
For the transition period from to
Commission File No.
(Exact name of registrant as specified in its charter)
(State or other jurisdiction of | (I.R.S. Employer |
incorporation or organization) | Identification No.) |
(Address of principal executive offices)
Registrant’s telephone number, including area code
Securities registered pursuant to Section 12(b) of the Act:
Securities registered pursuant to Section 12(g) of the Act:
Title of each class: |
| Trading Symbol(s) |
| Name of each exchange on which registered: |
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| |||
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Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☐
Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Exchange Act. Yes ☐
Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
Indicate by check mark whether the registrant has submitted electronically every Interactive Data File required to be submitted pursuant to Rule 405 of Regulation S-T (§ 232.405 of this chapter) during the preceding 12 months (or for such shorter period that the registrant was required to submit such files).
Indicate by check mark if disclosure of delinquent filers pursuant to Item 405 of Regulation S-K is not contained herein, and will not be contained, to the best of the registrant’s knowledge, in definitive proxy or information statements incorporated by reference in Part III of this Form 10-K or any amendment to this Form 10-K. Yes ☐ No ☒
Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer, a smaller reporting company, or emerging growth company. See the definitions of “large accelerated filer,” “accelerated filer,” “smaller reporting company,” and “emerging growth company” in Rule 12b-2 of the Exchange Act.
Large accelerated filer ☐
Smaller reporting company
If an emerging growth company, indicate by check mark if the registrant has elected not to use the extended transition period for complying with any new or revised financial accounting standards provided pursuant to Section 13(a) of the Exchange Act. ☐
Indicate by check mark whether the registrant has filed a report on and attestation to its management’s assessment of the effectiveness of its internal control over financial reporting under Section 404(b) of the Sarbanes-Oxley Act (15 U.S.C. 7262(b)) by the registered public accounting firm that prepared or issued its audit report. Yes
If securities are registered pursuant to Section 12(b) of the Act, indicate by check mark whether the financial statements of the registrant included in the filing reflect the correction of an error to previously issued financial statements. ☒
Indicate by check mark whether any of those error corrections are restatements that required a recovery analysis of incentive-based compensation received by any of the registrant’s executive officers during the relevant recovery period pursuant to §240.10D-1(b). ☐
Indicate by check mark whether the registrant is a shell company as defined in Rule 12b-2 of the Exchange Act. Yes
The number of shares outstanding of each of the issuer’s classes of common stock is as follows:
Class |
| Outstanding at May 19, 2023 |
Class A Common Stock, $.001 par value |
| |
Class B Common Stock, $.001 par value |
| |
Class C Common Stock, $.001 par value |
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Class D Common Stock, $.001 par value |
|
The aggregate market value of common stock held by non-affiliates of the Registrant, based upon the closing price of the Registrant’s Class A and Class D common stock on June 30, 2022, was approximately $
EXPLANATORY NOTE
Overview
Urban One, Inc. and its consolidated subsidiaries (“Urban One” or the “Company”) is filing this annual report on Form 10-K for the year ended December 31, 2022 (“Form 10-K”). This Form 10-K contains our audited financial statements for the year ended December 31, 2022, as well as restates certain financial information and related footnote disclosures in the Company’s previously issued consolidated financial statements as of December 31, 2021, as originally filed with the Securities and Exchange Commission (“SEC”) on March 15, 2022 (the “Original Filing”), and then amended and filed with the SEC on October 11, 2022 (the “Amended Filing”) and the interim periods ended March 31, June 30, and September 30, 2022 and 2021 (collectively, the “Affected Periods”). This Form 10-K also restates certain other Items in the Original and Amended Filings, as listed in “Items Restated in this Form 10-K” below.
Restatement Background
As previously disclosed in the Current Report on Form 8-K filed with the SEC on April 7, 2023, the Audit Committee of the Board of Directors (the “Audit Committee”) of the Company concluded, after discussion with the Company’s management and independent registered public accounting firm, that the Company’s previously issued consolidated financial statements with respect to the Affected Periods should no longer be relied upon due to errors in such financial statements, and, therefore, a restatement of these specified financial statements is required. The Company does not intend to file further amendments to the previously filed Annual Report on Form 10-K and Quarterly Reports on Form 10-Q for the Affected Periods. Accordingly, investors should rely only on the financial information and other disclosures regarding the Affected Periods in this Form 10-K or in future filings with the SEC (as applicable), and not on any previously issued or filed reports, press releases, earnings releases and investor presentations or other communications describing the Company’s previously issued consolidated financial statements and other related financial information covering the Affected Periods.
In connection with the preparation of the consolidated financial statements, the Company re-evaluated its accounting for the valuation of its investment interest in MGM National Harbor (the “MGM Investment”) and determined that adjustments are required to its previously issued financial statements for the Affected Periods due to understatements in the value of the MGM Investment and related tax effects. In addition to the adjustment related to the MGM Investment, the Company included corrections for misstatements that were deemed immaterial to any period presented in our previously issued financial statements. These misstatements are related to radio broadcasting license impairment, right of use assets, fair value of the Reach Media redeemable noncontrolling interest, amortization of certain launch assets, misclassifications of certain balance sheet items, and any related tax effects. The Company also corrected certain line items within the statements of cash flows and certain disclosures relating to deferred tax assets and content assets for errors identified.
See Note 2 - Restatement of Financial Statements and Note 17 - Quarterly Financial Data (Unaudited and Restated) of our consolidated financial statements for more information related to the restatement, including descriptions of the misstatements and the impacts on the Company’s consolidated financial statements.
Internal Control Considerations
The Company’s management has concluded that the Company had material weaknesses in its internal control over financial reporting during the Affected Periods relating to the errors described above. For a discussion of management’s considerations of the Company’s disclosures controls and procedures, internal control over financial reporting, and material weaknesses identified, refer to Part II, Item 9A, “Controls and Procedures.”
Items Restated in this Form 10-K
The following items have been restated, as appropriate, to reflect the restatement:
● | Part I, Item 1A. Risk Factors |
● | Part II, Item 7. Management’s Discussion and Analysis of Financial Condition and Results of Operations |
● | Part II, Item 8. Financial Statements and Supplementary Data |
● | Part II, Item 9A. Controls and Procedures |
● | Part IV, Item 15. Exhibits and Financial Statement Schedules |
In addition, as required by Rule 12b-15 under the Securities Exchange Act of 1934, as amended (the “Exchange Act”), new certifications by the Company’s Chief Executive Officer and Chief Financial Officer are filed herewith as Exhibits 31.1, 31.2, 32.1 and 32.2 to this Form 10-K pursuant to Rule 13a-14(a) of the Exchange Act and Section 1350 of Chapter 63 of Title 18 of the United States Code (18 U.S.C. 1350).
Except as described above, this Form 10-K does not amend, update or change any other disclosures in the Affected Periods’ filings. This Form 10-K should be read in conjunction with the Company’s other filings with the SEC.
URBAN ONE, INC. AND SUBSIDIARIES
Form 10-K
For the Year Ended December 31, 2022
TABLE OF CONTENTS
CERTAIN DEFINITIONS
Unless otherwise noted, throughout this report, the terms “Urban One,” “the Company,” “we,” “our,” and “us” refer to Urban One, Inc. together with all of its subsidiaries.
We use the terms “local marketing agreement” (“LMA”) or time brokerage agreement (“TBA”) in various places in this report. An LMA or a TBA is an agreement under which a Federal Communications Commission (“FCC”) licensee of a radio station makes available, for a fee, airtime on its station to another party. The other party provides programming to be broadcast during the airtime and collects revenues from advertising it sells for broadcast during that programming. In addition to entering into LMAs or TBAs, we will, from time to time, enter into management or consulting agreements that provide us with the ability, as contractually specified, to assist current owners in the management of radio station assets that we have contracted to purchase, subject to FCC approval. In such arrangements, we generally receive a contractually specified management fee or consulting fee in exchange for the services provided.
The term “broadcast and digital operating income” is used throughout this report. Net income (loss) before depreciation and amortization, income taxes, interest expense, interest income, noncontrolling interests in income of subsidiaries, other (income) expense, corporate selling, general and administrative, expenses, stock-based compensation, impairment of long-lived assets and (gain) loss on retirement of debt, is commonly referred to in the radio broadcasting industry as “station operating income.” However, given the diverse nature of our business, station operating income is not truly reflective of our multi-media operation and, therefore, we use the term broadcast and digital operating income. Broadcast and digital operating income is not a measure of financial performance under accounting principles generally accepted in the United States (“GAAP”). Nevertheless, broadcast and digital operating income is a significant basis used by our management to evaluate the operating performance of our core operating segments. Broadcast and digital operating income provides helpful information about our results of operations, apart from expenses associated with our fixed and long-lived intangible assets, income taxes, investments, impairment charges, debt financings and retirements, corporate overhead and stock-based compensation. Our measure of broadcast and digital operating income is similar to our historic use of station operating income; however, it reflects our more diverse business, and therefore, may not be similar to “station operating income” or other similarly titled measures as used by other companies. Broadcast and digital operating income does not represent operating income or loss, or cash flow from operating activities, as those terms are defined under GAAP, and should not be considered as an alternative to those measurements as an indicator of our performance.
Unless otherwise indicated:
● | we obtained total radio industry revenue levels from the Radio Advertising Bureau (the “RAB”); |
● | we obtained audience share and ranking information from Nielsen Audio, Inc. (“Nielsen”); and |
● | we derived historical market statistics and market revenue share percentages from data published by Miller, Kaplan, Arase & Co., LLP (“Miller Kaplan”), a public accounting firm that specializes in serving the broadcasting industry and BIA/Kelsey (“BIA”), a media and telecommunications advisory services firm. |
5
Cautionary Note Regarding Forward-Looking Statements
Our disclosure and analysis in this annual report on Form 10-K concerning our operations, cash flows and financial position, contains forward-looking statements within the meaning of Section 27A of the Securities Act, and Section 21E of the Securities Exchange Act of 1934, as amended. These forward-looking statements do not relay historical facts, but rather reflect our current expectations concerning future operations, results and events. All statements other than statements of historical fact are “forward-looking statements” including any projections of earnings, revenues or other financial items; any statements of the plans, strategies and objectives of management for future operations; any statements concerning proposed new activities, services or developments; any statements regarding future economic conditions or performance; any statements of belief; and any statements of assumptions underlying any of the foregoing. You can identify some of these forward-looking statements by our use of words such as “anticipates,” “expects,” “intends,” “plans,” “believes,” “seeks,” “likely,” “may,” “estimates” and similar expressions. You can also identify a forward-looking statement in that such statements discuss matters in a way that anticipates operations, results or events that have not already occurred but rather will or may occur in future periods. We cannot guarantee that we will achieve any forward-looking plans, intentions, results, operations or expectations. Because these statements apply to future events, they are subject to risks and uncertainties, some of which are beyond our control that could cause actual results to differ materially from those forecasted or anticipated in the forward-looking statements. These risks, uncertainties and factors include (in no particular order), but are not limited to:
● | public health crises, epidemics and pandemics such as COVID-19 and other future pandemics and their impact on our business and the businesses of our advertisers, including disruptions and inefficiencies in the supply chain; |
● | the extent of the impact of the COVID-19 pandemic (particularly in our largest markets, Atlanta; Baltimore; Charlotte; Dallas; Houston; Indianapolis; and Washington, DC), including the duration, spread, severity, and the impact of any variants, the duration and scope of any related government orders and restrictions, the impact on our employees, and the extent of the impact of the COVID-19 pandemic on overall demand for advertising across our various media; |
● | recession, economic volatility, financial market unpredictability and fluctuations in the United States and other world economies that may affect our business and financial condition, and the business and financial conditions of our advertisers; |
● | our high degree of leverage, certain cash commitments related thereto and potential inability to finance strategic transactions given fluctuations in market conditions; |
● | fluctuations in the local economies of the markets in which we operate (particularly our largest markets, Atlanta; Baltimore; Charlotte; Dallas; Houston; Indianapolis; and Washington, DC) could negatively impact our ability to meet our cash needs; |
● | risks associated with the implementation and execution of our business diversification strategy, including our strategic actions with respect to expansion into gaming; |
● | risks associated with our investments or potential investment in gaming businesses that are managed or operated by persons not affiliated with us and over which we have little or no control; |
● | regulation by the FCC relative to maintaining our broadcasting licenses, enacting media ownership rules and enforcing of indecency rules; |
● | regulation by certain gaming commissions relative to maintaining our interests, or our creditors’ ability to foreclose on collateral that includes our interests in, any gaming licenses, joint ventures or other gaming and casino investments; |
6
● | changes in our key personnel and on-air talent; |
● | increases in competition for and in the costs of our programming and content, including on-air talent and content production or acquisitions costs; |
● | financial losses that may be incurred due to impairment charges against our broadcasting licenses, goodwill, and other intangible assets; |
● | increased competition for advertising revenues with other radio stations, broadcast and cable television, newspapers and magazines, outdoor advertising, direct mail, internet radio, satellite radio, smart phones, tablets, and other wireless media, the internet, social media, and other forms of advertising; |
● | the impact of our acquisitions, dispositions and similar transactions, as well as consolidation in industries in which we and our advertisers operate; |
● | developments and/or changes in laws and regulations, such as the California Consumer Privacy Act or other similar federal or state regulation through legislative action and revised rules and standards; |
● | disruptions to our technology network including computer systems and software, whether by man-made or other disruptions of our operating systems, structures or equipment, including as we further develop alternative work arrangements, as well as natural events such as pandemic, severe weather, fires, floods and earthquakes; |
● | material weaknesses identified in our internal control over financial reporting which could, if not remediated, result in material misstatements in our consolidated financial statements; and |
● | other factors mentioned in our filings with the Securities and Exchange Commission (“SEC”) including the factors discussed in detail in Item 1A, “Risk Factors,” contained in this report. |
You should not place undue reliance on these forward-looking statements, which reflect our views based only on information currently available to us as of the date of this report. We undertake no obligation to publicly update or revise any forward-looking statements because of new information, future events, or otherwise.
7
PART I
ITEM 1. BUSINESS
Overview
Urban One, Inc. (a Delaware corporation originally formed in 1980 and hereinafter referred to as “Urban One”) and its subsidiaries (collectively, the “Company”) is an urban-oriented, multi-media company that primarily targets African-American and urban consumers. Our core business is our radio broadcasting franchise which is the largest radio broadcasting operation that primarily targets African-American and urban listeners. As of December 31, 2022, we owned and/or operated 66 independently formatted, revenue producing broadcast stations (including 55 FM or AM stations, 9 HD stations, and the 2 low power television stations we operate), located in 13 of the most populous African-American markets in the United States. While a core source of our revenue has historically been and remains the sale of local and national advertising for broadcast on our radio stations, our strategy is to operate the premier multi-media entertainment and information content platform targeting African-American and urban consumers. Thus, we have diversified our revenue streams by making acquisitions and investments in other complementary media properties. Our diverse media and entertainment interests include TV One, LLC (“TV One”), which operates two cable television networks targeting African-American and urban viewers, TV One and CLEO TV; our 80.0% ownership interest in Reach Media, Inc. (“Reach Media”), which operates the Rickey Smiley Morning Show and our other syndicated programming assets, including the Get Up! Mornings with Erica Campbell Show, Russ Parr Morning Show and the DL Hughley Show; and Interactive One, LLC (“Interactive One”), our wholly owned digital platform serving the African-American community through social content, news, information, and entertainment websites, including its iONE Digital, Cassius and Bossip, HipHopWired and MadameNoire digital platforms and brands. We also held a minority ownership interest in MGM National Harbor Casino, a gaming resort located in Prince George’s County, Maryland. Through our national multi-media operations, we provide advertisers with a unique and powerful delivery mechanism to communicated with African-American and urban audiences.
Our core radio broadcasting franchise operates under the brand “Radio One.” We also operate other media brands, such as TV One, CLEO TV, Reach Media, iONE Digital, and One Solution, while developing additional branding reflective of our diverse media operations and our targeting of African-American and urban audiences.
Recent Developments
On June 13, 2022, the Company entered into a definitive asset purchase agreement with Emmis Communications (“Emmis”) to purchase its Indianapolis Radio Cluster to expand the Company’s market share. The deal was subject to FCC approval and other customary closing conditions and, after obtaining the approvals, closed on August 31, 2022. Urban One acquired radio stations WYXB (B105.7FM), WLHK (97.1FM), WIBC (93.1FM), translators W228CX and W298BB (The Fan 93.5FM and 107.5FM), and Network Indiana for $25 million. As part of the transaction, the Company disposed of its former WHHH radio broadcasting license along with the intellectual property related to WNOW (there was a call letter change from WHHH to WNOW immediately prior to the close) to a third party for approximately $3.2 million. The fair value of the assets disposed of approximated the carrying value of the assets.
Segments
As part of our consolidated financial statements, consistent with our financial reporting structure and how the Company currently manages its businesses, we have provided selected financial information on the Company’s four reportable segments: (i) radio broadcasting; (ii) cable television; (iii) Reach Media; and (iv) digital. Business activities unrelated to these four segments are included in an “all other” category which the Company refers to as “All Other - Corporate/Eliminations.”
Our Radio Station Portfolio, Strategy and Markets
As noted above, our core business is our radio broadcasting franchise which is the largest radio broadcasting operation in the country primarily targeting African-American and urban listeners. Within the markets in which we operate, we strive to build clusters of radio stations with each radio station targeting different demographic segments of the African-American population. This clustering and programming segmentation strategy allows us to achieve greater penetration within the
8
distinct segments of our overall target market. In addition, we have been able to achieve operating efficiencies by consolidating office and studio space where possible to minimize duplicative management positions and reduce overhead expenses. Depending on market conditions, changes in ratings methodologies and economic and demographic shifts, from time to time, we may reprogram some of our stations in underperforming segments of certain markets.
As of December 31, 2022, we owned and/or operated 66 independently formatted, revenue producing broadcast stations (including 55 FM or AM stations, 9 HD stations, and the 2 low power television stations we operate but excluding translators) located in 13 of the most populous African-American markets in the United States. The following tables set forth further selected information about our portfolio of radio stations that we owned and/or operated as of December 31, 2022.
Urban One | Market Data | |||||||||||||||
Entire Audience | Ranking by Size of | Estimated Fall 2022 | ||||||||||||||
Four Book | African-American | Metro | ||||||||||||||
Average Audience | Population Persons | Population Persons | ||||||||||||||
Market | Number of Stations* | Share(1) | 12+(2) | 12+ | ||||||||||||
African- | ||||||||||||||||
Total | American | |||||||||||||||
| FM |
| AM |
| HD |
| LP/TV** |
|
|
| (millions) |
| % | |||
Atlanta |
| 4 |
|
|
| 1 |
|
|
| 13.0 |
| 2 |
| 5.2 |
| 36 |
Washington, DC |
| 4 |
| 2 |
|
|
|
|
| 9.8 |
| 3 |
| 5.1 |
| 27 |
Dallas |
| 2 |
|
|
|
|
|
|
| 3.8 |
| 5 |
| 6.6 |
| 18 |
Houston |
| 3 |
|
|
|
|
| 10.1 |
| 6 |
| 6.2 |
| 18 | ||
Philadelphia |
| 2 |
|
| 2 |
|
|
| 3.7 |
| 7 |
| 4.7 |
| 20 | |
Baltimore |
| 2 |
| 2 |
| 1 |
|
|
| 13.3 |
| 11 |
| 2.4 |
| 30 |
Charlotte |
| 5 |
| 1 |
| 1 |
|
|
| 18.1 |
| 12 |
| 2.5 |
| 23 |
Raleigh-Durham |
| 4 |
|
|
|
|
|
|
| 15.3 |
| 19 |
| 1.8 |
| 21 |
Cleveland |
| 2 |
| 2 |
| 1 |
|
|
| 13.5 |
| 21 |
| 1.8 |
| 20 |
Richmond |
| 4 |
| 2 |
|
|
|
|
| 18.2 |
| 25 |
| 1.1 |
| 29 |
Columbus |
| 5 |
|
|
|
| 1 |
| 6.7 |
| 26 |
| 1.8 |
| 18 | |
Indianapolis |
| 5 |
| 1 |
| 2 |
| 1 |
| 35.1 |
| 30 |
| 1.7 |
| 17 |
Cincinnati |
| 2 |
| 1 |
| 1 |
|
|
| 5.9 |
| 34 |
| 1.9 |
| 13 |
Total |
| 44 |
| 11 |
| 9 |
| 2 |
|
|
|
|
|
|
|
|
(1) | Audience share data are for the 12+ demographic and derived from the Nielsen Survey ending with the Fall 2022 Nielsen Survey. |
(2) | Population estimates are from the Nielsen Radio Market Survey Population, Rankings and Information, Fall 2022. |
* | 20 non-independently formatted HD stations and 14 non-independently formatted translators owned and operated by the Company are not included in the above station count. Changes in the programming of our HD stations or translators may alter our station count from time to time. |
** | Low power television station |
| Market Rank Metro |
|
| |||
Market | Population 2022 | Format | Target Demo | |||
Atlanta |
| 7 |
|
|
|
|
WAMJ/WUMJ |
|
|
| Urban AC |
| 25-54 |
WHTA |
|
|
| Urban Contemporary |
| 18-34 |
WPZE |
|
|
| Contemporary Inspirational |
| 25-54 |
WAMJ-HD-2 |
|
|
| Urban Contemporary |
| 25-54 |
Baltimore |
| 23 |
|
|
|
|
WERQ |
|
|
| Urban Contemporary |
| 18-34 |
WOLB |
|
|
| News/Talk |
| 35-64 |
9
WWIN-FM |
|
|
| Urban AC |
| 25-54 |
WWIN-AM |
|
|
| Gospel |
| 35-64 |
WLIF-HD-2 |
|
|
| Contemporary Inspirational |
| 25-54 |
Charlotte |
| 21 |
|
|
|
|
WPZS |
|
|
| Contemporary Inspirational |
| 25-54 |
WOSF |
|
|
| Urban AC / Old School |
| 25-54 |
WOSF-HD2 |
|
|
| Urban Contemporary |
| 18-34 |
WBT-AM |
|
|
| News Talk |
| 25-54 |
WBT-FM |
|
|
| News Talk |
| 25-54 |
WFNZ |
|
|
| Sports Talk |
| 25-54 |
WLNK |
|
|
| Hot Adult Contemporary |
| 25-54 |
Cincinnati |
| 33 |
|
|
|
|
WIZF |
|
|
| Urban Contemporary |
| 18-34 |
WOSL |
|
|
| Urban AC / Old School |
| 25-54 |
WDBZ-AM |
|
|
| Talk |
| 35-64 |
WIZF-HD3 | Hispanic | 25-54 | ||||
Cleveland |
| 35 |
|
|
|
|
WENZ |
|
|
| Urban Contemporary |
| 18-34 |
WERE-AM |
|
|
| News/Talk |
| 35-64 |
WJMO-AM |
|
|
| Contemporary Inspirational |
| 35-64 |
WZAK |
|
|
| Urban AC |
| 25-54 |
WENZ-HD-2 |
|
|
| Contemporary Inspirational |
| 35-64 |
Columbus |
| 36 |
|
|
|
|
WCKX |
|
|
| Urban Contemporary |
| 18-34 |
WXMG |
|
|
| Urban AC |
| 25-54 |
WHTD |
|
|
| Urban Contemporary |
| 18-34 |
WJYD |
|
|
| Contemporary Inspirational |
| 25-54 |
WWLG |
|
|
| Hispanic |
| 25-54 |
WQMC-TV |
|
|
| Television |
| 25-54 |
Dallas |
| 5 |
|
|
|
|
KBFB |
|
|
| Urban Contemporary |
| 18-34 |
KZJM |
|
|
| Urban Contemporary |
| 25-54 |
Houston |
| 6 |
|
|
|
|
KBXX |
|
|
| Urban Contemporary |
| 18-34 |
KMJQ |
|
|
| Urban AC |
| 25-54 |
KROI |
|
|
| Contemporary Inspirational |
| 18-34 |
Indianapolis |
| 38 |
|
|
|
|
WTLC-FM |
|
|
| Urban AC |
| 25-54 |
WHHH |
|
|
| Urban Contemporary |
| 18-34 |
WTLC-AM |
|
|
| Contemporary Inspirational |
| 35-64 |
10
WIBC | News Talk | 25-54 | ||||
WHHH-HD2, HD3 |
|
|
| Regional Mexican |
| 25-54 |
WLHK | Country | 25-54 | ||||
WIBC-HD2 | Sports Talk | 25-54 | ||||
WYXB | Adult Contemporary | 25-54 | ||||
WDNI-TV |
|
|
| Television |
| 25-54 |
Philadelphia |
| 9 |
|
|
|
|
WPPZ |
|
|
| Adult Contemporary |
| 25-54 |
WRNB |
|
|
| Mainstream Urban |
| 25-54 |
WPPZ-HD2 |
|
|
| Contemporary Inspirational |
| 25-54 |
WRNB-HD2 |
|
|
| Urban AC |
| 25-54 |
Raleigh |
| 37 |
|
|
|
|
WFXC/WFXK |
|
|
| Urban AC |
| 25-54 |
WQOK |
|
|
| Urban Contemporary |
| 18-34 |
WNNL |
|
|
| Contemporary Inspirational |
| 25-54 |
Richmond |
| 53 |
|
|
|
|
WKJS/WKJM |
|
|
| Urban AC |
| 25-54 |
WCDX |
|
|
| Urban Contemporary |
| 18-34 |
WPZZ |
|
|
| Contemporary Inspirational |
| 25-54 |
WXGI-AM/WTPS-AM |
|
|
| Classic Hip Hop |
| 25-54 |
Washington DC |
| 8 |
|
|
|
|
WKYS |
|
|
| Urban Contemporary |
| 18-34 |
WMMJ/WDCJ |
|
|
| Urban AC |
| 25-54 |
WPRS |
|
|
| Contemporary Inspirational |
| 25-54 |
WOL-AM |
|
|
| News/Talk |
| 35-64 |
WYCB-AM |
|
|
| Gospel |
| 35-64 |
AC-refers to Adult Contemporary
CHR-refers to Contemporary Hit Radio
Pop-refers to Popular Music
Old School - refers to Old School Hip/Hop
For the year ended December 31, 2022, approximately 32.3% of our net revenue was generated from the sale of advertising in our core radio business, excluding Reach Media. We consider our radio broadcasting segment to be our core radio business. Within our core radio business, seven (Atlanta, Baltimore, Charlotte, Dallas, Houston, Indianapolis, and Washington, DC) of the 13 markets in which we operated radio stations throughout 2022 or a portion thereof accounted for approximately 73.8% of our radio station net revenue for the year ended December 31, 2022. Revenue from the operations of Reach Media, along with revenue from the seven significant contributing radio markets, accounted for approximately 32.5% of our total consolidated net revenue for the year ended December 31, 2022. Adverse events or conditions (economic, including government cutbacks or otherwise) could lead to declines in the contribution of Reach Media or declines in one or more of the seven significant contributing radio markets, which could have a material adverse effect on our overall financial performance and results of operations.
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Radio Advertising Revenue
Substantially all net revenue generated from our radio franchise is generated from the sale of local, national and network advertising. Local sales are made by the sales staff located in our markets. National sales are made primarily by Katz Communications, Inc. (“Katz”), a firm specializing in radio advertising sales on the national level. Katz is paid agency commissions on the advertising sold. Approximately 57.3% of our net revenue from our core radio business for the year ended December 31, 2022, was generated from the sale of local advertising and 38.8% from sales to national advertisers, including network/syndication advertising. The balance of net revenue from our radio segment is primarily derived from ticket sales, and revenue related to sponsored events, management fees and other alternative revenue.
Advertising rates charged by radio stations are based primarily on:
● | a radio station’s audience share within the demographic groups targeted by the advertisers; |
● | the number of radio stations in the market competing for the same demographic groups; and |
● | the supply and demand for radio advertising time. |
A radio station’s listenership is measured by the Portable People MeterTM (the “PPMTM”) system or diary ratings surveys, both of which estimate the number of listeners tuned to a radio station and the time they spend listening to that radio station. Ratings are used by advertisers to evaluate whether to advertise on our radio stations, and are used by us to chart audience size, set advertising rates and adjust programming. Advertising rates are generally highest during the morning and afternoon commuting hours.
Cable Television, Reach Media and Digital Segments, Strategy and Sources of Revenue and Income
We have expanded our operations to include other media forms that are complementary to our radio business. In a strategy similar to our radio market segmentation, we have multiple complementary media and online brands. Each of these brands focuses on a different segment of African-American consumers. With our multiple brands, we are able to direct advertisers to specific audiences within the urban communities in which we are located, or to bundle the brands for advertising sales purposes when advantageous.
TV One, our primary cable television franchise targeting the African-American and urban communities, derives its revenue from advertising and affiliate revenue. Advertising revenue is derived from the sale of television airtime to advertisers and is recognized when the advertisements are run. TV One also derives revenue from affiliate fees under the terms of various affiliation agreements generally based upon a per subscriber royalty for the right to distribute the Company’s programming under the terms of the distribution contracts. Our other cable television franchise, CLEO TV, is a lifestyle and entertainment network targeting Millennial and Gen X women of color that is also operated by TV One, LLC. CLEO TV derives its revenue principally from advertising.
Reach Media, our syndicated radio unit, primarily derives its revenue from the sale of advertising in connection with its syndicated radio shows, including the Rickey Smiley Morning Show, Get Up! Mornings with Erica Campbell, the Russ Parr Morning Show, and the DL Hughley Show. In addition to being broadcast on 48 Urban One stations, our syndicated radio programming also was available on 215 non-Urban One stations throughout the United States as of December 31, 2022.
We have launched websites that simultaneously stream radio station content for each of our radio stations, and we derive revenue from the sale of advertisements on those websites. We generally encourage our web advertisers to run simultaneous radio campaigns and use mentions in our radio airtime to promote our websites. By providing streaming, we have been able to broaden our listener reach, particularly to “office hour” listeners, including at home “office hour” listeners. We believe streaming has had a positive impact on our radio stations’ reach to listeners. In addition, our station websites link to our other online properties operated by our primary digital unit, Interactive One. Interactive One operates the largest social networking site primarily targeting African-Americans and other branded websites, including Bossip,
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HipHopWired and MadameNoire. Interactive One derives revenue from advertising services on non-radio station branded websites, and studio services where Interactive One provides services to other publishers. Advertising services include the sale of banner and sponsorship advertisements. Advertising revenue is recognized as impressions (the number of times advertisements appear in viewed pages) are delivered.
Finally, our MGM National Harbor investment entitled us to an annual cash distribution based on net gaming revenue from gaming activities conducted on the site of the facility. In March 2023, the Company exercised the put option available to it and received approximately $136.8 million at the time of settlement of the put option in April 2023. Please refer to Note 18 – Subsequent Events of our consolidated financial statements for further details. Future opportunities could include investments in, acquisitions of, or the development of companies in diverse media businesses, gaming and entertainment, music production and distribution, movie distribution, internet-based services, and distribution of our content through emerging distribution systems such as the Internet, smartphones, cellular phones, tablets, and the home entertainment market.
Competition
The media industry is highly competitive and we face intense competition across our core radio franchise and all of our complementary media properties. Our media properties compete for audiences and advertising revenue with other radio stations and with other media such as broadcast and cable television, the Internet, satellite radio, newspapers, magazines, direct mail and outdoor advertising, some of which may be owned or controlled by horizontally-integrated companies. Audience ratings and advertising revenue are subject to change and any adverse change in a market could adversely affect our net revenue in that market. If a competing radio station converts to a format similar to that of one of our radio stations, or if one of our competitors strengthens its signal or operations, our stations could suffer a reduction in ratings and advertising revenue. Other media companies which are larger and have more resources may also enter or increase their presence in markets or segments in which we operate. Although we believe our media properties are well positioned to compete, we cannot assure you that our properties will maintain or increase their current ratings, market share or advertising revenue.
Providing content across various platforms is a highly competitive business. Our digital and cable television segments compete for the time and attention of internet users and viewers and, thus, advertisers and advertising revenues with a wide range of internet companies such as AmazonTM, NetflixTM, Yahoo!TM, GoogleTM, and MicrosoftTM, with social networking sites such as FacebookTM and TikTokTM and with traditional media companies, which are increasingly offering their own digital products and services both organically and through acquisition. We experience competition for the development and acquisition of content, distribution of content, sale of commercial time on our digital and cable television networks and viewership. There is competition from other digital companies, production studios and other television networks for the acquisition of content and creative talent such as writers, producers and directors. Our ability to produce and acquire popular content is an important competitive factor for the distribution of our content, attracting viewers and the sale of advertising. Our success in securing popular content and creative talent depends on various factors such as the number of competitors providing content that targets the same genre and audience, the distribution of our content, viewership, and the production, marketing and advertising support we provide.
Our TV One and CLEO TV cable television networks compete with other networks and platforms for the acquisition and distribution of content and for fees charged to cable television operators, DTH satellite service providers, and other distributors that carry our content. Our ability to secure distribution agreements is necessary to ensure the retention of our audiences. Our contractual agreements with distributors are renewed or renegotiated from time to time in the ordinary course of business. Growth in the number of networks distributed, consolidation and other market conditions in the cable and satellite distribution industry, and increased popularity of other platforms may adversely affect our ability to obtain and maintain contractual terms for the distribution of our content that are as favorable as those currently in place. The ability to secure distribution agreements is dependent upon the production, acquisition and packaging of original content, viewership, the marketing and advertising support and incentives provided to distributors, the product offering across a series of networks within a region, and the prices charged for carriage.
Our networks and digital products compete with other television networks, including broadcast, cable, local networks and other content distribution outlets for their target audiences and the sale of advertising. Our success in selling advertising
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is a function of the size and demographics of our audiences, quantitative and qualitative characteristics of the audience of each network, the perceived quality of the network and of the particular content, the brand appeal of the network and ratings/algorithms as determined by third-party research companies or search engines, prices charged for advertising and overall advertiser demand in the marketplace.
Federal Antitrust Laws
The agencies responsible for enforcing the federal antitrust laws, the Federal Trade Commission or the Department of Justice, may investigate certain acquisitions. We cannot predict the outcome of any specific FTC or Department of Justice investigation. Any decision by the FTC or the Department of Justice to challenge a proposed acquisition could affect our ability to consummate the acquisition or to consummate it on the proposed terms. For an acquisition meeting certain size thresholds, the Hart-Scott-Rodino Antitrust Improvements Act of 1976 requires the parties to file Notification and Report Forms concerning antitrust issues with the FTC and the Department of Justice and to observe specified waiting period requirements before consummating the acquisition.
Federal Regulation of Radio Broadcasting
The radio broadcasting industry is subject to extensive and changing regulation by the FCC and other federal agencies of ownership, programming, technical operations, employment and other business practices. The FCC regulates radio broadcast stations pursuant to the Communications Act of 1934, as amended (the “Communications Act”). The Communications Act permits the operation of radio broadcast stations only in accordance with a license issued by the FCC upon a finding that the grant of a license would serve the public interest, convenience and necessity. Among other things, the FCC:
● | assigns frequency bands for radio broadcasting; |
● | determines the particular frequencies, locations, operating power, interference standards, and other technical parameters for radio broadcast stations; |
● | issues, renews, revokes and modifies radio broadcast station licenses; |
● | imposes annual regulatory fees and application processing fees to recover its administrative costs; |
● | establishes technical requirements for certain transmitting equipment to restrict harmful emissions; |
● | adopts and implements regulations and policies that affect the ownership, operation, program content, employment, and business practices of radio broadcast stations; and |
● | has the power to impose penalties, including monetary forfeitures, for violations of its rules and the Communications Act. |
The Communications Act prohibits the assignment of an FCC license, or the transfer of control of an FCC licensee, without the prior approval of the FCC. In determining whether to grant or renew a radio broadcast license or consent to the assignment or transfer of control of a license, the FCC considers a number of factors, including restrictions on foreign ownership, compliance with FCC media ownership limits and other FCC rules, the character and other qualifications of the licensee (or proposed licensee) and compliance with the Anti-Drug Abuse Act of 1988. A licensee’s failure to comply with the requirements of the Communications Act or FCC rules and policies may result in the imposition of sanctions, including admonishment, fines, the grant of a license renewal for less than a full eight-year term or with conditions, denial of a license renewal application, the revocation of an FCC license, and/or the denial of FCC consent to acquire additional broadcast properties.
Congress, the FCC and, in some cases, other federal agencies and local jurisdictions are considering or may in the future consider and adopt new laws, regulations and policies that could affect the operation, ownership and profitability of
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our radio stations, result in the loss of audience share and advertising revenue for our radio broadcast stations or affect our ability to acquire additional radio broadcast stations or finance such acquisitions. Such matters include or may include:
● | changes to the license authorization and renewal process; |
● | proposals to increase record keeping, including enhanced disclosure of stations’ efforts to serve the public interest; |
● | proposals to impose spectrum use or other fees on FCC licensees; |
● | changes to rules relating to political broadcasting, including proposals to grant free airtime to candidates, and other changes regarding political and non-political program content, political advertising rates and sponsorship disclosures; |
● | revised rules and policies regarding the regulation of the broadcast of indecent content; |
● | proposals to increase the actions stations must take to demonstrate service to their local communities; |
● | technical and frequency allocation matters; |
● | changes in broadcast multiple ownership, foreign ownership, cross-ownership and ownership attribution rules and policies; |
● | service and technical rules for digital radio, including possible additional public interest requirements for terrestrial digital audio broadcasters; |
● | legislation that would provide for the payment of sound recording royalties to artists, musicians or record companies whose music is played on terrestrial radio stations; and |
● | changes to tax laws affecting broadcast operations and acquisitions. |
The FCC also has adopted procedures for the auction of broadcast spectrum in circumstances where two or more parties have filed mutually exclusive applications for authority to construct new stations or certain major changes in existing stations. Such procedures may limit our efforts to modify or expand the broadcast signals of our stations.
We cannot predict what changes, if any, might be adopted or considered in the future, or what impact, if any, the implementation of any particular proposals or changes might have on our business.
FCC License Grants and Renewals. In making licensing determinations, the FCC considers an applicant’s legal, technical, character and other qualifications. The FCC grants radio broadcast station licenses for specific periods of time and, upon application, may renew them for additional terms. A station may continue to operate beyond the expiration date of its license if a timely filed license renewal application is pending. Under the Communications Act, radio broadcast station licenses may be granted for a maximum term of eight years.
Generally, the FCC renews radio broadcast licenses without a hearing upon a finding that:
● | the radio station has served the public interest, convenience and necessity; |
● | there have been no serious violations by the licensee of the Communications Act or FCC rules and regulations; and |
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● | there have been no other violations by the licensee of the Communications Act or FCC rules and regulations which, taken together, indicate a pattern of abuse. |
After considering these factors and any petitions to deny or informal objections against a license renewal application (which may lead to a hearing), the FCC may grant the license renewal application with or without conditions, including renewal for a term less than the maximum otherwise permitted. Historically, our licenses have been renewed for full eight-year terms without any conditions or sanctions; however, there can be no assurance that the licenses of each of our stations will be renewed for a full term without conditions or sanctions.
Types of FCC Broadcast Licenses. The FCC classifies each AM and FM radio station. An AM radio station operates on either a clear channel, regional channel or local channel. A clear channel serves wide areas, particularly at night. A regional channel serves primarily a principal population center and the contiguous rural areas. A local channel serves primarily a community and the suburban and rural areas immediately contiguous to it. AM radio stations are designated as Class A, Class B, Class C or Class D. Class A, B and C stations each operate unlimited time. Class A radio stations render primary and secondary service over an extended area. Class B stations render service only over a primary service area. Class C stations render service only over a primary service area that may be reduced as a consequence of interference. Class D stations operate either during daytime hours only, during limited times only, or unlimited time with low nighttime power.
FM class designations depend upon the geographic zone in which the transmitter of the FM radio station is located. The minimum and maximum facilities requirements for an FM radio station are determined by its class. In general, commercial FM radio stations are classified as follows, in order of increasing power and antenna height: Class A, B1, C3, B, C2, C1, C0 and C. The FCC has adopted a rule subjecting Class C FM stations that do not satisfy a certain antenna height requirement to an involuntary downgrade in class to Class C0 under certain circumstances.
Urban One’s Licenses. The following table sets forth information with respect to each of our radio stations for which we held the license as of December 31, 2022. Stations which we did not own as of December 31, 2022, but operated under an LMA, are not reflected on this table. A broadcast station’s market may be different from its community of license. The coverage of an AM radio station is chiefly a function of the power of the radio station’s transmitter, less dissipative power losses and any directional antenna adjustments. For FM radio stations, signal coverage area is chiefly a function of the radio station’s ERP and the HAAT of the radio station’s antenna. “ERP” refers to the effective radiated power of an FM
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radio station. “HAAT” refers to the antenna height above average terrain of an FM radio station antenna. The table below excludes HD radio and LPTV stations.
|
|
|
| Antenna |
|
| ||||||||
ERP (FM) | Height | |||||||||||||
Power | (AM) | Expiration | ||||||||||||
Year of |
| FCC | (AM) in | HAAT in | Operating | Date of FCC | ||||||||
Market | Station Call Letters | Acquisition | Class | Kilowatts | Meters | Frequency | License | |||||||
Atlanta |
| WUMJ-FM |
| 1999 |
| C3 |
| 8.5 |
| 165.0 |
| 97.5 MHz |
| 4/1/2028 |
| WAMJ-FM |
| 1999 |
| C2 |
| 33.0 |
| 185.0 |
| 107.5 MHz |
| 4/1/2028 | |
| WHTA-FM |
| 2002 |
| C2 |
| 35.0 |
| 177.0 |
| 107.9 MHz |
| 4/1/2028 | |
| WPZE-FM |
| 1999 |
| A |
| 3.0 |
| 143.0 |
| 102.5 MHz |
| 4/1/2028 | |
Washington, DC |
| WOL-AM |
| 1980 |
| C |
| 0.4 |
| N/A |
| 1450 kHz |
| 10/1/2027 |
| WMMJ-FM |
| 1987 |
| A |
| 2.9 |
| 146.0 |
| 102.3 MHz |
| 10/1/2027 | |
| WKYS-FM |
| 1995 |
| B |
| 24.5 |
| 215.0 |
| 93.9 MHz |
| 10/1/2027 | |
| WPRS-FM |
| 2008 |
| B |
| 20.0 |
| 244.0 |
| 104.1 MHz |
| 10/1/2027 | |
| WYCB-AM |
| 1998 |
| C |
| 1.0 |
| N/A |
| 1340 kHz |
| 10/1/2027 | |
| WDCJ-FM |
| 2017 |
| A |
| 2.2 |
| 169.0 |
| 92.7 MHz |
| 10/1/2027 | |
Philadelphia |
| WRNB-FM |
| 2000 |
| B |
| 17.0 |
| 263.0 |
| 100.3 MHz |
| 8/1/2030 |
| WPPZ-FM |
| 2004 |
| A |
| 0.8 |
| 276.0 |
| 107.9 MHz |
| 6/1/2030 | |
Houston |
| KMJQ-FM |
| 2000 |
| C |
| 100.0 |
| 524.0 |
| 102.1 MHz |
| 8/1/2029 |
| KBXX-FM |
| 2000 |
| C |
| 100.0 |
| 585.0 |
| 97.9 MHz |
| 8/1/2029 | |
| KROI-FM |
| 2004 |
| C1 |
| 40.0 |
| 421.0 |
| 92.1 MHz |
| 8/1/2029 | |
Dallas |
| KBFB-FM |
| 2000 |
| C |
| 100.0 |
| 574.0 |
| 97.9 MHz |
| 8/1/2029 |
| KZMJ-FM |
| 2001 |
| C |
| 100.0 |
| 591.0 |
| 94.5 MHz |
| 8/1/2029 | |
Baltimore |
| WWIN-AM |
| 1992 |
| C |
| 0.5 |
| N/A |
| 1400 kHz |
| 10/1/2027 |
| WWIN-FM |
| 1992 |
| A |
| 3.0 |
| 91.0 |
| 95.9 MHz |
| 10/1/2027 | |
| WOLB-AM |
| 1993 |
| D |
| 0.3 |
| N/A |
| 1010 kHz |
| 10/1/2027 | |
| WERQ-FM |